| Issue | Title | |
| Wide Screen | 4 | Abstract PDF HTML |
| Avirup Ghosh | ||
| Vol 6, No 1 (2016): Special Issue: Videogame Adaptation | 8-BIT GOES TO THE MOVIES | Abstract PDF |
| Kyle Meikle | ||
| Vol 7, No 1 (2018): Special Issue: Production of Cinematic Space | A PAINFUL EDUCATION: THREE EXHIBITION SCENES FOR 1980S CHILEAN ACTIVIST DOCUMENTARY | Abstract PDF |
| David Gray | ||
| Wide Screen | An Analysis of the Technoscientific Imaginary in the Remake of The Stepford Wives | Abstract PDF |
| Jessica Johnston, Cornelia Sears | ||
| Special Issue: Production Studies | Anthology Film. The Future Is Now: Film Producer As Creative Director | Abstract PDF HTML |
| Shekhar Deshpande | ||
| Vol 7, No 1 (2018): Special Issue: Production of Cinematic Space | ARCHITECTURES OF MEMORY: RETROFITTED THEATERS AND FILM REMAKES IN POST LIBERALIZATION INDIA | Abstract PDF |
| Debjani Mukherjee | ||
| Special Issue: Documentary, Art and Performance | Ars Longa, Vita Brevis; The Importance Of Art In Human Life, A Proustian Interpretation Of Honigmann’s Forever | Abstract PDF |
| Annelies van Noortwijk | ||
| Wide Screen | Aura, Auteurism and the Key to Reserva | Abstract PDF HTML |
| Kartik Nair | ||
| Wide Screen | Aura, Auteurism and the Key to Reserva | Abstract PDF HTML |
| Kartik Nair | ||
| Special Issue: Documentary, Art and Performance | ‘Familiar Types, Familiar Gestures’: Revisiting Realism through Satyajit Ray’s The Inner Eye | Abstract PDF |
| Anindya Sengupta | ||
| Wide Screen | “Bhagat Singh Topless, Waving In Jeans”: Melancholia Through Mimesis In Rang De Basanti | Abstract PDF HTML |
| Kshama Kumar | ||
| Wide Screen | “Bhagat Singh Topless, Waving In Jeans”: Melancholia Through Mimesis In Rang De Basanti | Abstract PDF HTML |
| Kshama Kumar | ||
| Wide Screen | “We must be doing something right to last two hundred years”: Nashville, or the American bicentennial as viewed by Robert Altman | Abstract PDF HTML |
| Chris Louis Durham | ||
| Wide Screen | “We must be doing something right to last two hundred years”: Nashville, or the American bicentennial as viewed by Robert Altman | Abstract PDF HTML |
| Chris Louis Durham | ||
| Vol 8, No 1 (2019): The Indian Studio System | BETWEEN THE SHOTS, AFTER THE CUTS: THE POLITICAL ECONOMY OF PRABHAT STUDIO | Abstract PDF |
| Hrishikesh Arvikar | ||
| Vol 5, No 1 (2014): Special Issue: An Unseen Century: Indian Cinema 1913-2013 | BOOK REVIEW: WORLD FILM LOCATIONS: MUMBAI | Abstract PDF |
| Usha Iyer | ||
| Inaugural Issue | Caché and the Secret Image | Abstract PDF HTML |
| Kartik Nair | ||
| Wide Screen | Cinema “Of” Yemen And Saudi Arabia: Narrative Strategies, Cultural Challenges, Contemporary Features | Abstract PDF |
| Anne Ciecko | ||
| Special Issue: Production Studies | Cinema Of Poverty: Independence And Simplicity In An Age Of Abundance And Complexity | Abstract PDF HTML |
| Erik Knudsen | ||
| Vol 7, No 1 (2018): Special Issue: Production of Cinematic Space | CINEMAS, HIGHWAYS, AND THE MAKING OF PROVINCIAL SPACE: MOBILE SCREENINGS IN JIANGSU, CHINA, 1933-1937 | Abstract PDF |
| Hongwei Thorn Chen | ||
| Special Issue: Production Studies | Close Encounters?: Contemporary Turkish Television And Cinema | Abstract PDF HTML |
| Melis Behlil | ||
| Inaugural Issue | Close-up on the Colony: Inside History, Through the Camera Lens | Abstract PDF HTML |
| Megha Anwer | ||
| Vol 7, No 1 (2018): Special Issue: Production of Cinematic Space | CRITICAL HIP-HOP CINEMA: RACIAL LOGICS AND ETHNOGRAPHIC CIPHAS IN DELHI | Abstract PDF |
| Gabriel Dattatreyan | ||
| Wide Screen | Director Profile: Mai Masri | Abstract PDF |
| Latika Padgaonkar | ||
| Wide Screen | Drôle de Félix : A Search for Cultural Identity on the Road | Abstract PDF |
| Zélie Asava | ||
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ISSN: 1757-3920